Starting with Eva - she is intentionally painting herself in the worst possible light, which ironically covers up the actual extent of her emotional abuse, since she is flagellating herself only for the worst moments of her parenthood - the lowlights - and not looking at the whole picture. The story goes back to the past to recreate the events that led Eva to her present discontent. Rated R He is her., Her identity forever defined by the horrors inflicted by her son, Evas punishment is her loneliness. Stripping the screenplay off words, the disturbance arises from a seamless amalgamation of image and sound. Is it possible for her to move on from something so traumatic? Reddit and its partners use cookies and similar technologies to provide you with a better experience. However, just the neglect of his mother would not amount to the cathartic finale. The point here is not to understand Kevin at all. SPOILER. The white curtains create an ambiance of premonition, and as the camera tracks forward, we see Franklin and Celia lying dead in the middle of the back garden, blood-drenched arrows stuck to their bodies like leeches. Ultimately what it winds up giving us is perhaps the most important truth of Christianity, namely that God is the hope to be found in the midst of the smoke and ashes. I have the feeling that this film, by entering Eva's mind, sees only what has been battering her down for 16 years. The camera zooms in, but the scene cuts just before we can get a peek on what's on the other side of it. The story revolves around a family of four, but the main focus is on the relationship between the mother (Eva, played by Tilda Swinton) and the son (Kevin, played by Rock River, Jasper Newell and Ezra Miller). We learn that Kevin was a difficult, colicky baby, who grew up to be a difficult, problematic child who seemingly refuses to toilet train, despite a rather surprising vocabulary. We Need to Talk About Kevin : r/books. Secretary of Transportation Pete Buttigieg's response to Donald Trump's refusal to accept any responsibility for the impact his massive deregulations have had went viral on Thursday as video of him encouraging the ex-president to support the Biden administration's efforts went viral. It is good to be more sensitive to the plights of children in general. The novel explores themes of nihilism, motherhood, the relationship between violence and depravity, and much more. It's hard not to see some of Eva's frustration at her changed lifethey leave the city and she is left with most of the child careas manifesting in a kind of resentment of Kevin. Was he acting out to punish Eva? Try refreshing this page.If the problem persists, contact our support contact our support See production, box office & company info. To express concern over a child's habitual malice is coded as monstrous. It discloses its narrative fitfully, in snatches and gobbets that make sense only gradually, like the . When she asks him that honest question, having accepted the reality of her abuse towards him, she comes to him totally honest And he no longer feels that underlying connection between love and fear that motivated him to his actions. The flow-on problem with Kevin's malevolence is it defies credibility that the father can't see any problem with his son (or, that Kevin is clever and manipulative enough to deceive him from an early age). Directed by: Lynne Ramsay. We see it in the wall of canned tomatoes that play backdrop to Evas anxiety attack in a supermarket, and the Cabernets she drowns her sorrows with. It's no secret that We Need to Talk about Kevin is intended to challenge your assumptions about the people we think of as "evil." For instance, the ball game Eva plays with a toddler Kevin: when Kevin successfully rolls the ball back to her, her praise is strained and brittle. Did they create a monster, or was he born that way? Sign up for weekly updates from Busted Halo! He is pursuing a Licentiate in Sacred Theology at Heythrop College in London. We're supposed to understand Kevin through Eva's flashbacks, which are indeed confusing, but not chronologically, where the difference lies solely in Tilda Swinton's hairstyle. GameStop Moderna Pfizer Johnson & Johnson AstraZeneca Walgreens Best Buy Novavax SpaceX Tesla. Though Ramsay does away with Eva as a first-person narrator in the film, she still retains Eva's point-of-view throughout. and Stephen Broussard, p.g.a., Ant-Man and The Wasp: Quantumania also stars Jonathan Majors as Kang, David Dastmalchian as Veb, Katy O'Brian as Jentorra, William Jackson Harper as Quaz and Bill Murray as Lord Krylar. Index | ROHAN: Since Jentorra and most of her freedom fighters make it out alive, have you heard anything about coming back for more Quantum Realm adventures down the line? In We Need to Talk about Kevin, Eva is literally on trial for parental negligence. And so is Eva. While the film isn't as explicit as the book, both versions of Eva are grappling with Kevin's final answer as they wonder if it's even worth feeling weighed down by the question of responsibility. In the next sequence, he appears in a loose white shirt. Community Guidelines | The film explores and identifies the hope to be found in the ashes of Ground Zero and in the wake of Columbine while never once attempting to sugarcoat the real darkness and danger that exist in our world. Fr. While she's on the run when we meet her, it's the arrival of Scott (Paul Rudd) and Cassie Lang (Kathryn Newton) that brings her right back into the thick of the action. An important film that attempts to delve into the psychology behind the high school massacres we seem to read about in the news on a weekly basis. If she had her way, she would put her life on rewind and start all over again maybe even as somebody else, since she's not very fond of herself. If you are having trouble tying loose ends, let us assist you in the process. As a teenager, Kevin (now played by Ezra Miller) has started to cruelly resemble his mother in profile and hairstyle. American release: January 27, 2012. Home | Ramsay establishes a sense of aloofness in Eva with Kevin still in utero. Kevin was never the apple of his mothers eye, which he realized from early childhood. Years later, the birth of her daughter Celia, on the other hand, feels more festive. We gather she didn't want to get pregnant, isn't sure why she's married, is a mother who tries to mask hostility with superficial kindness. 2023 Cinemaholic Inc. All rights reserved. So what about Franklin? His attitude towards his son is warmer, but underneath there's no more depth than there is with Eva. This review of the film was originally published on December 22, 2011. Genres: Psychological Drama, Family Drama. it's difficult to accept why Eva keeps visiting her son in jail, at one point even asking why he did it. Eva is attempting to play the part of mommy as defined by popular culture; the cooing, gooey, all-encompassing ubiquitousness to her child. Eva gets pregnant for a second time and gives birth to a little daughter Celia. It was a really short moment, and then yeah, I would have loved to have had some interaction with Janet, but that wasn't even in there. She's like a fish out of water. Not here. ComicBookMovie.com is a registered trademark and has been officially registered with the United States Patent and Trademark Office (USPTO). None of this is done in a straightforward fashion. I could have sworn that during the first time I watched it there was a scene of Kevin, Franklin and Celia in the garden and it shows how Kevin actually murdered them. Watch Indie Spirit Stars Suggest Indie Gems You Must Watch Right Now. Kevin grows up to be ever more distant. Franklin didn't do that - he wasn't even there. Besides their physical likeness, Eva and Kevin also share a certain coldness, which plays into Eva's self-hatred. Instead, maternal ambivalence is coded as horror. We Need to Talk About Kevin Jump to Edit Summaries Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. Moving back and forth in time, the narrative revolves around a picture-perfect American family, but as the story progresses, we see cracks in the familial structure. Kevin does things to Eva in this movie that are so cruel that an evil demon seems to be regarding her from his eyes. But Kevin is just getting started, and his final act will be beyond anything anyone imagined. Only with her because his father was at work whole day and saw his son for like an hour a day. There are several red flags in the movie that indicates Kevins volatile dispositions, but an accurate diagnosis is not possible. Directed by Lynne Ramsay, "We Need to Talk About Kevin" is fragments of time, jagged and confusing, lurching around inside her mind. So, I think TV being as fast paced as it is, and as kind of chaotic as it can be, it doesn't always set you up for being able to walk into a film where you've had plenty of time to look into everything and prepare. 112 minutes But Ramsay is less interested in the blame game, more in how trauma can put us in a vicious cycle of self-inflicted pain. With Tilda Swinton, John C. Reilly, Ezra Miller, Jasper Newell. For instance, post-partum depression similar to hers is very common and probably didn't do as much damage as she ascribes to it. About | The opening shot fades to white, before cutting to a sea of red in the next sequence, foreshadowing the bloodshed to come. But recent years have shown horror films can write mothers full of contradictions that challenge the status quo. The kind of clothes one chooses is also indicative of ones social status. Movies. This comes to a head when Kevin has learned that pooping his pants is the quickest way to his mother's heart, and the time she shows him the most attention - but that attention is always disgust. It doesn't gel with what has come before, where Eva seems to accept her son's innate cruelty, and is looking for a way to escape. She mentions that she believes he'll be released in five years. KATY: It was really different, obviously, than the comic book version. Plus, she also touches on a potentially big deleted scene that would've seen her cross paths with Krylar (Bill Murray) and teases possible beef with Janet van Dyne (Michelle Pfeiffer). It suffers from an excess of clunky foreshadowing and there's very little I find believable about the characters' actions. For removal of copyrighted images, trademarks, or other issues, Contact Us. This is the scene where the film begins and the ending comes full circle revisiting the moment of rupture in Evas life. The film moves without any pattern between past, present and who knows when. For full Oscars coverage and commentary by its reviewer, Fr. Keep your comments focused on the film. Eva apparently thought her early life was on the right track and tells her screaming baby boy she would frankly rather be back in Paris than changing his diaper. She is less interested in the nature vs nurture debate, more in the crippling weight of societal expectations of motherhood. But Kevin is just getting started, and his final act will be be Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. She obviously feels complicit and takes on the role of communal scapegoat as a way to expiate her own guilt as well as to grieve the loss of her family. Instead, maternal ambivalence is coded as horror. The Bad Mother refers to oppressive puritans like Margaret White in Carrie. At first glance, it would seem that Kevin is yet another installment in the pantheon of post-modern films intent upon assaulting the human desire to give meaning to the world. That the film works so brilliantly is a tribute in large part to the actors. ROHAN: Was there anything major cut that you remember shooting? Eva's point of view is obviously not reliable, and her segments are intended to portray that she's entered a cycle of deep self-abuse over having raised a psychopath. She sits in a blank daze in the hospital room. Don't get in arguments with people here, or start long discussions. The condition causes loss of the ability to understand or express speech. He proves it when he poops himself twice in a row and she breaks his arm in a fit of rage, what he calls, "The most honest thing you ever did to me." Swinton told me of a line in the script that wasn't used, wisely, I believe. The same 7-year-old also says, "I don't give a rat's ass." Alcohol, Drugs & Smoking Mild 35 of 50 found this mild Adults are sometimes shown casually drinking wine. Eva and Franklin are a happily married couple till Eva gives birth to Kevin. At one point, she mockingly coos at him, "Mommy was happy before little Kevin came along. So, I think it'd be really cool to explore that either in future Quantum Realm stuff or if somehow I got sucked out into the surface world or something, any of that would be fun. But Kevin is just getting started, and his final act will be beyond anything anyone imagined. Eva often looks like she's in a state of shock. But he hates her the most due to her pretense and dishonesty, it seems. If this were an act of self-penance it might make sense, but there's no real sense Eva is doing it out of guilt either. Kevin was not necessarily abused or tortured as a child, many kids endure much worse and did not end up as mass killers. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. The non-linear approach makes the somewhat inevitable events more powerful and though Miller is effective as Kevin, younger actor Newell actually impressed me even more. Kevin's killings, meanwhile, are the absent, invisible center of Ramsay's film. The wife and mother, Eva (Tilda Swinton), has been so overwhelmed by despair that her life exists in her mind all at the same time. Kevin is a defiant baby who screams incessantly but never around Franklin. "We Need to Talk About Kevin" leans into that debate, showcasing a resentful mother, a passive father, and a child with an untreated mental illness. 2003-2023 Best Little Sites, LLC. He completely denies the reality of Kevin's personality and identity, and thus any agency over their relationship. The brooding tone of the narrative prepares the audience for a devastating ending, but in hindsight, some of you may have seen it coming. Sometimes Zuzu's petals are all you have to hold onto. Prosecutors downgrade charges in Alec Baldwin shooting case, Die Hard star Bruce Willis has frontotemporal dementia, condition worsens, As We Need to Talk about Kevin turns 10, a look at what made it such a haunting meditation on motherhood. In a fit of rage at Kevin's soiling his diapers (at 7), Eva throws him down and breaks his arm. Kevin eats the lychee with a degree of grossness, and when his mother says that he never liked lychee as a fruit, Kevin has to say that it is an acquired taste. Jokes are fine, but don't post tactless/inappropriate ones. We Need to Talk About Kevin: Directed by Lynne Ramsay. But when he just sits there frowning, she expresses real disgust towards him. Business, Economics, and Finance. Ramsay improves on Shriver's portrait of a mother with an honesty that leaves us thinking about Eva long after the credits roll. Kevin grows a liking for the fictional character of Robin Hood, and his father gifts him a bow and arrow. Eva believes that some defect of maternal affection had something to do with Kevin's development. His reply: "You don't want to kill your audience.". The cast ensemble, with Tilda Swinton, John C. Reilly, and Ezra Miller in a menacing role, cannot be praised enough. "We Need to Talk About Kevin" is a movie adaptation of Lionel Shriver's novel with the same title. When Kevin paints Evas room with color splashes, Eva thinks that Kevin wanted to ruin the room, but maybe he really wanted to make it more special. Outward appearances of mother and son match their steely interiority as neither suffers fools gladly and both abhor artifice and sentimentality. This model of motherhood so deeply rooted as it is in the biological doesnt leave much room for aberration, such that any rejection by the child becomes an indictment of the mothers entire existence. So we must find our Grace in the minuscule, and it is in these brief moments of consolation, these shafts of light under the door, that Kevin provides the deft sucker punch to the, by now, standard narrative benchmarks of despair, emptiness and futility which permeate contemporary film. In this one, it is Kevin's triumph. Super-Hero partners Scott Lang (Paul Rudd) and Hope van Dyne (Evangeline Lilly) return to continue their adventures as Ant-Man and the Wasp. This terrifying South Korean found footage horror movie directed by Jung Bum-shik follows an internet broadcaster who reunites a team of . We Need to Talk About Kevin (2011) photos, including production stills, premiere photos and other event photos, publicity photos, behind-the-scenes, and more. Eva can only play at being mommy, and so when Kevin refuses her attempts to breastfeed and is only appeased by the presence of his affable father, played by John C. Reilly, her whole world crashes down around her and her value as a person comes into question. ", As with any book-to-film adaptation, some of the nuances were lost in translation. Eva's elation is reflected in the room's warm yellows and flowers on the bedside table. The mistake would be to take the film apart and try to reconnect the pieces in chronological order. So I am thinking, was he born evil from the very beginning and she knew it and treated him alike evil from the very beginning? ET. It asks, "who is to blame when something horrific happens?". He seems to recognize that he has some advantage over her. Kevin examines both our darkest moments and those slivers of Grace that sustain us. Directed by Lynne Ramsay, "We Need to Talk About Kevin" is fragments of time, jagged and confusing, lurching around inside her mind. Kevin knows that Celia is his mothers favorite offspring, and he goes to great lengths to make his mother feel uncomfortable. He hates Eva for a plethora of reasons her neglect, her coldness towards Kevin, and Franklins misguided overcompensation for the lack of Evas love. Like Jentorra kind of was the reason that her society collapsed in a way, in the comic books. Through association and contextualization, it becomes evident that Kevin killed his father and sister with the new and powerful bow and arrow that he received as a Christmas present from his father. But the two most significant and poignant moments are found at the end of the film, when the 18-year-old Kevin, two years into a prison sentence for a heinous incident at his high school (yes, its as bad as you think), responds to his mothers query as to why he did what he did. If you look one level deeper it's clear that Kevin was deeply and horribly emotionally abused by both of his parents, and in a genuinely loving family he would not have turned out the way he did. Then she goes home. In Morvern Callar, Samantha Morton grieved her boyfriend's suicide. Hosted by Michael Barbaro and Sabrina . Privacy | Despite his crime, she sells the house to pay the legal fees, moves closer to the prison so she can visit him, and continues to support him. And as serial killers are often tagged as psychopaths, we assume that the menacing nature of Kevin is dormant in him at birth. Art and Divine Beauty: An Antidote to the Winter Blues, The Prodigal Son: How to Overcome the 3 Lies We Tell Ourselves. A prolific writer and the ostensible head of a travel agency, Eva cares more about her own unfulfilled wishes than her ever-menacing son. Best Little Sites is not liable for inaccuracies, errors, or omissions found herein. The light outside disappears. Therefore, the sense of clothing provides a link between the otherwise antagonistic mother and son. She lives with the guilt of what her son did, on top of the guilt of knowing she did nothing about the various warning signs. I got to try some fight choreo, but all in all, yeah, it helped me prepare, I will say I was much more excited to be a good guy instead of a lame, side character, bad guy. describes the "nature vs. nurture" debate. The second is Kevin's bedroom. She frames Eva's discomfort against overjoyed mothers showing off their baby bumps in a pre-natal yoga class. We Need to Talk About Kevin. She has a career as a writer put on hold, while her husband Franklin (O'Reilly, at his most oblivious) carries on. This is also true of Eva, but we see the conflict in her about her son's mental state. Yet it is in those infrequent instances of relief, conversion and mercy that the film finds its identity and direction. There are two really great examples of this: the first is the bow. This review of the film was originally published on December 22, 2011. We see Kevin as a troubled kid who may need greater care. KATY: Yeah, I mean, a lot of it would be drawn from movies, essentially. The shelves and tabletops are as barren as those in a display home. Like a fluke, nothing to do with her personality or her hubby's personality? In 1975, he won the Pulitzer Prize for distinguished criticism. 15.7M subscribers We Need To Talk About Kevin #1 Clip - Tilda Swinton Movie (2011) HD Subscribe to TRAILERS: http://bit.ly/sxaw6h The mother of a teenage boy who went on a high-school killing. ", Did Kevin internalize her hatred of him, or is she just feeding into his innate instability? Where do you think Jentorra's story goes next? That's the underlying message of We Need to Talk about Kevin, Lynne Ramsey's remarkable allegory on the transcendent nature of relationships. The desolate inner worlds of Ramsay's protagonists come alive through a sensory perspective. He is loving and affectionate with his father, Franklin (John C. Reilly), and has a way of making it clear that it's a deliberate charade designed only to hurt Eva. When we see an overdressed Eva beside Kevin, the distinction between the two becomes clear as daylight. Go do something. I felt like I kind of joked with Jeff Loveness on this, but I was like, Did you just watch 300 and write my character? Because it was a lot of like those single line, Get to the tower!, and just kind of like silly one liners and things that felt reminiscent of a lot of those just straight up warrior movies. And as serial killers are often tagged as psychopaths, we assume that the film critic of the nuances lost... Collapsed in a loose white shirt was the reason that her society collapsed in a fit of at. A first-person narrator in the hospital room movie that are so cruel that an evil seems... Stars Suggest Indie Gems you Must watch Right now oppressive puritans like Margaret white in.! 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